Thursday, April 7, 2011

a post, pirated

New ideas are gone. Creators, artists, etc. owe their creations to the past (and present) and the other[s] who made up that past. [They are] building upon creation, not stealing from it. copyright laws shouldn't impede creative progress. The RIAA is concentrating in safeguarding profits, not helping creation to evolve. The[y] need to spend less time fighting the future and start thinking of creative ways to adapt to our new society. The RIAA can absolutely [not] stop piracy from occurring. ("we can't stop this technology, we can just criminalize it.")

There is little doubt that the recording industry has lost money. It's harder for a lot of artists to maximize their profits from CD sales. In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 million to 803 million units; revenues fell 6.7 percent (could be explained by any number of circumstances that don't include piracy, "it has long been the recording industry's practice to blame technology for any drop in sales.") Piracy has affected the music industry by losing revenue.

But does this mean that recording artists who are having their songs pirated in such a way run the risk of "going out of business"? [Piracy] has also offered an option for less investment and cheaper marketing,if someone hears an artist for the first time on an online file sharing software and ends up loving them, then they will [achieve] sales through concerts and the niceties that can be purchased at the shows (t-shirts, refreshments, souvenirs, etc.) A recording artist's career is multi-faceted and album sales have now become only a part of a much more diverse career.

The internet [can] harm copyright owners, but it [does] enhance creative industries.

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